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	<title>Comments on: Chinese Martial Arts in 19th century China</title>
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	<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/</link>
	<description>Articles, Reprints, Reviews, and Other Martial Arts Miscellanea</description>
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		<title>By: &#8220;Either for Annoyance or Defense&#8221; &#171; Functional Fitness and Self-Defense New Orleans</title>
		<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/comment-page-1/#comment-2204</link>
		<dc:creator>&#8220;Either for Annoyance or Defense&#8221; &#171; Functional Fitness and Self-Defense New Orleans</dc:creator>
		<pubDate>Tue, 01 Dec 2009 19:11:40 +0000</pubDate>
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		<description>[...] for Annoyance or&#160;Defense&#8221;  Jason Couch has an amusing blog post at Martial History Magazine that gives 19th century accounts by Englishmen of their (generally patronizing) impressions of [...]</description>
		<content:encoded><![CDATA[<p>[...] for Annoyance or&nbsp;Defense&#8221;  Jason Couch has an amusing blog post at Martial History Magazine that gives 19th century accounts by Englishmen of their (generally patronizing) impressions of [...]</p>
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		<title>By: marrnix wells</title>
		<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/comment-page-1/#comment-2193</link>
		<dc:creator>marrnix wells</dc:creator>
		<pubDate>Mon, 30 Nov 2009 19:43:44 +0000</pubDate>
		<guid isPermaLink="false">http://martialhistory.com/?p=542#comment-2193</guid>
		<description>Guan Ping was the son, and seal bearer, of Guan Yu c. AD 200, canonised as &#039;God of War&#039;. They were revered as martyrs to justice and loyalty sworn to uphold the doomed Han dynasty. Guan Yu is usually depicted with red face, thick whiskers, and huge halberd.</description>
		<content:encoded><![CDATA[<p>Guan Ping was the son, and seal bearer, of Guan Yu c. AD 200, canonised as &#8216;God of War&#8217;. They were revered as martyrs to justice and loyalty sworn to uphold the doomed Han dynasty. Guan Yu is usually depicted with red face, thick whiskers, and huge halberd.</p>
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		<title>By: marnix wells</title>
		<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/comment-page-1/#comment-1992</link>
		<dc:creator>marnix wells</dc:creator>
		<pubDate>Fri, 27 Nov 2009 18:18:42 +0000</pubDate>
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		<description>Sorry, I mean the woodcut of 1843 (not 1834)!</description>
		<content:encoded><![CDATA[<p>Sorry, I mean the woodcut of 1843 (not 1834)!</p>
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		<title>By: marnix wells</title>
		<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/comment-page-1/#comment-1991</link>
		<dc:creator>marnix wells</dc:creator>
		<pubDate>Fri, 27 Nov 2009 18:16:31 +0000</pubDate>
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		<description>I think Kwan Ping and his seal refers to an attendant to Kwan Yu (Guan Yu) from the Three Kingdoms History/Romance.</description>
		<content:encoded><![CDATA[<p>I think Kwan Ping and his seal refers to an attendant to Kwan Yu (Guan Yu) from the Three Kingdoms History/Romance.</p>
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		<title>By: marnix wells</title>
		<link>http://martialhistory.com/2009/11/chinese-martial-arts-in-19th-century-china/comment-page-1/#comment-1990</link>
		<dc:creator>marnix wells</dc:creator>
		<pubDate>Fri, 27 Nov 2009 18:13:23 +0000</pubDate>
		<guid isPermaLink="false">http://martialhistory.com/?p=542#comment-1990</guid>
		<description>The boxing figures in the woodcut The Chinese as They Are (1834) has clearly been copied straight from Qi Jiguang: Jixiao nXinshu (1561) or a later edition of that.</description>
		<content:encoded><![CDATA[<p>The boxing figures in the woodcut The Chinese as They Are (1834) has clearly been copied straight from Qi Jiguang: Jixiao nXinshu (1561) or a later edition of that.</p>
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