The Bare Essentials

For those that want to jump right in, here is The Cane as a Weapon. This is a cleaner version than the PDF that is floating around online. For future reference, you can also find it under the reprints tab at top right.

The original version contained only 12 photographs of Cunningham showing his method, yet included numerous drill sequences for practice. I therefore highly recommend that you also purchase Tony Wolf’s expanded version of The Cane as a Weapon which includes more than 170 photos to clarify Cunningham’s system. No, I don’t get a cut if you buy this book, I’m recommending it because Tony consistently puts out quality work. Click on the cover to check it out.

One more resource you will want to keep an eye on if you decide to study the Cunningham system is Chris Amendola’s blog entitled, appropriately enough, "AC Cunningham’s ‘The Cane as A Weapon.’" Chris is blogging his thoughts, notes, and discoveries as he proceeds to work his own way through the Cunningham cane system, as well as drawing out parallels from Cunningham’s other manual, Sabre and Bayonet.

Why I think The Cane as a Weapon is so Good

There are any number of reasons why I think this manual is so good. First is that Cunningham has an exquisite sense of what will work and what will not work from different postures and positions. He logically breaks down blows and parries, and places great emphasis on which of the three simple guards is best for any particular situation (eg., by not adopting a hostile en guarde position if not necessary).

His experience with the bayonet gives his work the versatility of using short, strong strokes with a double handed grip for close encounters and multiple attackers as well as movement, movement, movement. He does not show any grappling with the cane, which I believe is very sensible.

The footwork is clearly explained and has all the bases covered. He discusses the importance of targeting, and is cognizant that some strikes with a cane are less powerful than others.

More than any other single reason I could name, I liked this book because I found myself nodding at pretty everything Cunningham wrote. Quite simply, my experience tells me that Cunningham got it right. I may be wrong, but I would be surprised if anyone with much cane or stick fighting experience read this and viewed it in an overall negative light.

One note for the user, if Cunningham describes a "right cut," he is referring to a strike that proceeds from the left to the right. So for example, a high right cut will go from your left towards your right and strike the assailant on the right side of his head.

Cunningham’s History

You cannot really see much in this newspaper clipping, but I was impressed that the newspapers a century ago would not only print something useful, but do it with such a great layout:

Andrew Chase Cunningham was born into upper class New York society in 1858; his middle name Chase was the family name on his mother’s side. He entered the U.S. Naval Academy in 1874 and graduated in 1879. Like many midshipmen, Cunningham married immediately upon graduation. He then went active duty until 1883 when he resigned to go to Rensselaer Polytechnic Institute. After graduating Rensselaer, he worked as a civil engineer for various companies and had a child at some point along the way. The trail stumbles after 1887 because that’s when Rensselaer’s alumni entry for Cunningham was published.

It is known that he later went to work for the U.S. Navy for a number of years, either located in Annapolis, Washington D.C., or somewhere in between. He must have went back active duty rather than as a civilian, because four years was too brief a period to be promoted to Lieutenant Commander. By 1912 he was a Naval Inspector of Public Works and had worked as a civil engineer for the Navy for some years.

In the early 1900s he was active in fencing and in 1904 helped guide the Naval Academy fencing team along with longtime Academy Fencing Master Prof. A. J. (Antoine Joseph) Corbesier. Corbesier deserves study in his own right, a Belgian that ran the physical drills and the fencing and bayonet programs at the Naval Academy for more than forty years. Corbesier published a couple of his own sword manuals: Theory of Fencing, with the Small-Sword Exercise, and Principles of Squad Instruction for the Broadsword. Cunningham, who possessed a reputation as a fencer even as a midshipman, would have trained under Corbesier in fencing when he was a student thirty years prior.

In 1906 Cunningham published his first manual, Sabre and Bayonet, but I know nothing about it.

In the 1900s, Cunningham was a member of the prestigious Washington Fencing Club (WFC). The WFC was upper crust, on the New York Athletic Club level, and did not allow women as members. If you were not an illustrious, or at least well-connected military officers or diplomat, there was little need to apply. Cunningham eventually became a member of the governing board.

In 1912, even though part of Navy, his expertise as a swordsman was so great that he was consulted by the army when evaluating a new cavalry saber design that Cunningham looked favorably upon. The submitter was a young Second Lieutenant who later became known as General George S. Patton.

Sources Consulted

Amendola, Chris. AC Cunningham’s “The Cane as A Weapon” Blog (2008)
Cunningham, A. C. The Cane as a Weapon. (1912)
Nason, Henry (ed.). Biographical Record of the Officers and Graduates of the Renssaeler Polytechnic Institute (1887)
New York Times, various issues
Wolf, Tony. The Cane as a Weapon by A.C. Cunningham. (2006)

As with all other retranscribed antique manuals that I republish, the text is available for free. You can download it at no charge. The treeware version is at “cost.”

Quote:
Born June 4, 1862, Robert Fitzsimmons began boxing first as an amateur n Australia, defeating four men in his debut. He quickly transitioned to professional, and in the late 19th Century met and defeated numerous well known champions of the day including Dempsey, Maher, Hall, Creedon, Corbett, Ruhlin, Sharkey, ‘and others of like note.’ retaining and defending the Heavy-Weight title until June 9, 1899.

In retired life, Fitzsimmons taught Boxing, Self-Defense, and Physical Fitness, then known as “Physical Culture.” In 1901, he published his Fitness and Boxing manual titled “Physical Culture and Self Defense” which included material from earlier articles he had written.

This book is a faithful transcription by Kirk Lawson of the original text. Special attention has been given to recreating the look and feel of the original document, including similar fonts, the preservation of spelling, hyphenation, and intentionally blank pages.

You can get the book at: http://www.lulu.com/content/1921948

While you’re there, check out Kirk’s other offerings:
http://stores.lulu.com/lawson

Please note that the downloads are optimized for printing, rather than reading online, but it should still be a good experience. I don’t know offhand how some of the current ebook readers will handle the more graphics-intensive downloads, but if it’s a problem, print it out on a good printer and you’ll have a nice read.

I had originally hoped that the sale of reprints would subsidize the purchase of future rare books to reprint in turn, but the time and cost of making a reprint compared to the miniscule return is simply not worth it.

Therefore, I cut the paperback reprints prices and enabled free downloads in order to better disseminate this information, which was the goal to begin with.

Click here or on the reprints tab at the top of the page to see all available titles.

First, some comments are in order. Lundin says he won. However, a wikipedia entry gives a Mexican Herald reference of January 23, 1910 claiming the match was ruled a draw. Unfortunately, while I have dozens of Mexican Herald accounts from 1909 and a handful describing the tournament, I don’t have any that late in January. That said, I don’t have any reason to doubt the reference, and wouldn’t be surprised if Maeda claimed he won the match as well, cause that’s pro wrestling, folks. Don’t forget that there were not that many wrestlers involved in this tournament, so both accounts may conceivably be correct but discussing matches on two different nights.

Another point is that while Lundin describes Maeda tossing Auvray around like a child, after the previous week’s match the newspaper described Maeda’s head “playing a tattoo on the canvas” from the number of times Auvray slammed him down. So we could be looking at little give-and-go to keep the paying customers interested in a tournament that lasted multiple weeks.

I love that Lundin credits his familiarity with Cornish/collar and elbow wrestling as the element that allowed him to win the match. The jacketed throws and handholds are not dissimilar, and I’ve long thought that it would make an interesting matchup to see a Cornwall native or an American collar and elbow player go up against a judoka.

Lastly, I should point out that Lundin does use the term “Jap” to refer to Maeda, which may be offensive to some. This was written in 1937, before the outbreak of WWII, which is when I believe the term began to form its derogatory sense. I believe the passage shows that Lundin had much respect for the worthy competitor he found in Maeda and certainly was not using the term as an ethnic slur.

Here and There

THE Graeco-Roman Wrestling Tournaments which took place in December, 1909 in Havana, Cuba, and the following month in Mexico City, bring back many memories.

Although the majority of the wrestlers were Europeans, a Jap named Konde Koma competed during the final week of the Tournament in Mexico City. Because Konde, a Jiu-jitsu wrestler who had been in Mexico for some time prior to the Tournament had gained a fine reputation for himself, the fans more or less expected that he would fulfill his challenge to throw any one of the contestants in ten minutes, using his own style of wrestling. He claimed to be the Champion of his country and although he could not back up his assertions with any proof in black and white, his actions in the ring were sufficient! (more…)

Lundin arrived in the U.S. in 1893 and was touring as a strongman by 1894. For decades following, he toured the U.S. and other countries as an exceptional wrestler. Lundin documents his associations with the most famous wrestlers of his time, such as Farmer Burns, Frank Gotch, Mitsuyo Maeda (Konde Koma), Ed “Strangler” Lewis, Tom Jenkins, George Hackenschmidt, Jim Londos, and many others.

Lundin describes the differences between the “shooting” matches and the “works” that came later. He tells who could wrestle and who couldn’t, and discusses everyone from Olympians to those who made their living purely as entertainers in the rasslin’ ring.

Included is Lundin’s account of his defeat of Mitsuyo Maeda, the man responsible for Brazilian jiu-jitsu.

Unfortunately, the cover photo renders poorly on the sale site, but it actually looks fine, more like is seen here.

This book is a must-have for martial artists, grapplers, and especially judo players.

“Jiu-Jutsu or Jiu-Do” was originally printed in 1918 by an early Kodokan-trained judo master. As such, it offers the best English-language view of Kodokan judo as practiced in the early days of Jigoro Kano’s famous judo school.

Included are the fundamentals of balance and posture as well as the throws, locks, and chokes still seen in judo today. Also included are techniques since banned in modern judo competitions, such as leglocks and atemi (strikes).

This volume serves as an excellent introduction to judo and jujutsu as well as a resource for more advanced students to learn the banned techniques no longer practiced. This reprint of an extremely rare volume of judo is sure to please any martial arts enthusiast.

Click on the cover to check it out:

To read an independent review of the original book and see what an original cover looks like, check out the Ju Jitsu Norway review.

Anyway, I offer “Fall Guys: The Barnums of Bounce.” It was first published in 1937 by sports reporter Marcus Griffin who did his research and exposed the wrestling game, showing it to be a cutthroat business of fixed matches, shady promoters, and show wrestlers.

The tagline was “The inside story of the Wrestling Business, America’s most profitable and best organized professional sport. ”

Discusses the early days of Frank Gotch before delving into the conglomeration of the business with the rise of the Gold Dust Trio (Ed “Strangler” Lewis, “Toots” Mondt, and Billy Sandow) and its version of slam bang wrestling. The Lewis-Mondt-Sandow combine at one point controlled most of the wrestling matches in the U.S.

There is a print version for sale and a free ebook in PDF format.

Note that the ebook is optimized for online or electronic device reading so it ain’t quite as pretty as the print edition, but it should render better on those devices.

It doesn’t scale down to this size really crisply, but you get the idea. The goal was to keep the original look and feel, but clean it up and draw the colors out some, which was painstaking, but worked. In fact, the original cover was so dark and dim that I had always thought the red was just a banner flowing through the text. It wasn’t until I started cleaning it up that I realized it was an arm!

Anyway, if everything goes right, we could be looking at having this ready in a week or two.

I don’t know who the artist was, but I hope he had a career as a tattooist or cartoonist because he really had talent. Here’s a test pic so I can make sure it’s working out the way I think it is (the gray background washes it out a little, it will look pretty sharp against white paper):

Not too bad. The pace should pick up a bit now.

Update: I am a Firefox user, but I tried this in IE6, and it looks like IE6 does not support PNG transparencies, although IE7 does. So if you see a white box around the pic and you are using IE6 or earlier as your browser, that’s the reason.